Networks

Baltic Nordic Circus Network (BNCN) is a collaborative network of 22 circus arts organisations in the Baltic and Nordic countries.

The network works to strengthen the regional collaboration and development of the circus sector. BNCN organises activities which aim to support the circus field in the Baltic-Nordic countries at large. 

BNCN's ultimate aim is to increase visibility of contemporary circus practise in the Baltic and Nordic region as well as increasing cooperation between circus organisations in the Baltic and Nordic countries.

CAE is the major European network of cultural networks, organisations, artists, activists, academics and policymakers. CAE is the first port of call for informed opinion and debate about arts and cultural policy in the EU. As the only intersectoral network, it brings together all practices in culture, from the performing arts to literature, the visual arts, design and cross-arts initiatives, to community centres and activist groups.

CAE believes in the value and values of culture and its contribution to the development of sustainable and inclusive societies.

INCAM takes an open view in identifying those contributing to the development of circus media, and in practice and philosophy see a magazine not necessarily as a print publication, but as a curated space that encompasses reflection, commentary, news and critical debate. More broadly, we see that the purpose of a magazine is to draw connections – between one artwork and another, between artists and audiences, between people and vital information – and are committed to exploring how this role might play out within the framework of new and existing technologies.

Circostrada is the European Network for Circus and Street Arts. Created in 2003 with the core mission of furthering the development, empowerment and recognition of these fields at European and international levels, over the years the network has become an important anchoring point for its members and a key interlocutor in the dialogue with cultural policy makers across Europe. 

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INCAM takes an open view in identifying those contributing to the development of circus media, and in practice and philosophy see a magazine not necessarily as a print publication, but as a curated space that encompasses reflection, commentary, news and critical debate. More broadly, we see that the purpose of a magazine is to draw connections – between one artwork and another, between artists and audiences, between people and vital information – and are committed to exploring how this role might play out within the framework of new and existing technologies.

INCAM takes an open view in identifying those contributing to the development of circus media, and in practice and philosophy see a magazine not necessarily as a print publication, but as a curated space that encompasses reflection, commentary, news and critical debate. More broadly, we see that the purpose of a magazine is to draw connections – between one artwork and another, between artists and audiences, between people and vital information – and are committed to exploring how this role might play out within the framework of new and existing technologies.